Critic Consensus: Mid90s tells a clear-eyed yet nostalgic coming-of-age tale that might mark the start of an auspicious new career for debuting writer-director Jonah Hill.
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Critic Reviews for Mid90s
Mid90s doesn't entirely work, but it shows some promise, and even some guts.
The film's rough edges sometimes feel like a first draft.
Hill is content to coast like Stevie toward a pink-hued horizon, hoping the pavement isn't too bumpy. The movie is nostalgia, pure and simple, unfettered by examination.
Hill envisions these endless days with a kid's-eye abstraction that's both timeless and firmly entrenched in its own era: his skate punks banter like Kevin Smith extras, wander like Richard Linklater dreamers, and misbehave like Larry Clark lost boys.
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