The House That Jack Built (2018)


Critic Consensus: The House That Jack Built presents writer-director Lars von Trier at his most proudly uncompromising: hard to ignore, and for many viewers, just as difficult to digest.


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Movie Info

Boundary-pushing cinematic visionary Lars von Trier (Antichrist) returns with one of his most daring, masterfully provocative works yet. In five audacious episodes, failed architect and arch-sociopath Jack (Matt Dillon) recounts the elaborately orchestrated murders-each, as he views them, a towering work of art-that define his "career" as a serial killer. Mixing pitch black humor, transcendent surrealism, and renegade musings on everything from history to architecture to cinema, von Trier fashions a radical, blazingly personal inquiry into violence, art, and the twin acts of creation and destruction. With Uma Thurman, Riley Keough, and Bruno Ganz.

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Critic Reviews for The House That Jack Built

All Critics (81) | Top Critics (13)

The film finds von Trier wrestling with the claims of misogyny and misanthropy that have followed him his entire career, but not in the way you'd expect.

Dec 14, 2018 | Rating: 2.5/4 | Full Review…

Von Trier... simply dallies with disgusting images and ideas in a carefully calibrated, ante-upping ploy to attract attention...

Dec 14, 2018 | Full Review…

A provocative idea executed with a halfhearted commitment.

Dec 13, 2018 | Full Review…

It fails to make depravity an experience that either stimulates or appalls. If I wanted to leave von Trier's movie, it wasn't because I was nauseous.

Dec 13, 2018 | Full Review…

One of the most thoughtful, honest onscreen meditations on morality and personal culpability in quite some time.

Dec 13, 2018 | Full Review…
Top Critic

If von Trier is instead merely content telling a sick joke - and the soundtrack, including the repeated use of David Bowie's Fame, suggests as much - it leads to a punchline we've all heard before.

Dec 7, 2018 | Rating: 1.5/4 | Full Review…

Audience Reviews for The House That Jack Built

Lars von Trier reaches the very apex of his career with this iconic (yes, that's the word), hysterically provocative and bafflingly rich piece of self-reflection that drags us to the bottom of (his) hell and tears not only into himself as an artist/person but also the world we live in.

Carlos Magalhães
Carlos Magalhães

Super Reviewer

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